Electronic music visionary Anyma has officially dropped his latest single “Bad Angel,” a striking collaboration with global K-pop superstar Lisa of BLACKPINK—and the release is already generating massive buzz ahead of his upcoming headline performance at Coachella.

Released via Interscope Records, “Bad Angel” blends Anyma’s signature dark, atmospheric electronic sound with a bold and commanding vocal performance from Lisa. The track pulses with hypnotic beats and futuristic textures, creating an immersive sonic landscape where Lisa’s voice cuts through with effortless confidence. Her standout line—“Yeah I’m pretty, pretty bad for an angel / I do what I want when I say so”—perfectly encapsulates the rebellious, untamed energy that defines both the song and its visual counterpart.

However, it is the official music video that truly elevates the collaboration into something unforgettable. Set within Anyma’s signature cybernetic universe, the video transforms Lisa into a striking, almost otherworldly figure. She is not just a performer within the frame—she becomes a central entity in this futuristic world, embodying a fusion of human and machine that aligns seamlessly with Anyma’s transhumanist aesthetic.

Throughout the MV, Lisa appears in a series of visually arresting forms. Metallic textures, biomechanical details, and surreal digital environments surround her, creating the impression that she exists beyond the limits of reality. Her styling leans heavily into a “bionic angel” concept—sleek, powerful, and slightly unsettling—yet undeniably captivating. Every movement she makes feels deliberate and controlled, as if she is both navigating and commanding the digital world around her.

What stands out most is her presence. Even within such a visually complex and effects-driven environment, Lisa never gets lost in the spectacle. Instead, she dominates it. Her gaze is sharp, her expressions minimal yet impactful, and her performance carries a quiet intensity that contrasts beautifully with the chaotic, ever-shifting visuals. She doesn’t just adapt to Anyma’s universe—she reshapes it around her identity.

This release also comes at a pivotal moment in Lisa’s expanding career. Beyond music, she recently made her acting debut in Season 3 of The White Lotus, where she played Mook, a hotel staff member in a Thai resort setting. With “Bad Angel,” she continues to push her artistic boundaries, proving her versatility not only as a performer but as a visual icon capable of anchoring high-concept creative projects.

For Anyma, the timing of this release is no coincidence. “Bad Angel” arrives just days before his highly anticipated headlining set at Coachella, where he is scheduled to take the Main Stage at midnight on April 10. Known for pushing the boundaries of live electronic performances, he is expected to debut “ÆDEN,” a brand-new show that merges science fiction visuals with ancient mythological themes—an artistic direction that aligns perfectly with the aesthetic introduced in this latest MV.

 The Coachella lineup itself is stacked with top-tier electronic acts, including Disclosure, REZZ, Subtronics, Kaskade, and rising star Ninajirachi, reflecting the genre’s growing dominance on the global festival stage.

As Coachella returns to the Empire Polo Club in Indio from April 10–12 and April 17–19, 2026, “Bad Angel” serves as both a preview and a statement—signaling a performance that will likely blur the lines between music, technology, and visual art.

With Lisa’s commanding presence and Anyma’s visionary production, “Bad Angel” is more than just a song—it’s an immersive experience, and one that firmly places both artists at the forefront of global pop and electronic innovation.