BTS star V has sent social media into a frenzy after a candid glimpse into his day revealed an unexpected side of the global superstar. The singer, whose real name is Kim Taehyung, recently released a vlog entitled “One Lucky Day,” showing fans an intimate look at his everyday life. But it was one seemingly innocuous moment that has sparked a tidal wave of online commentary: V singing along to a powerful women’s empowerment song while driving.

아니 뷔 드라이브송으로
여자들아기죽지마라당당하게외쳐라남자들아비켜라
이거 들으면서 불르고 운전함 pic.twitter.com/xLPxdvb9bx

— 떵윤이 (@mypretty_jin) May 30, 2026

The track, “Wonder Woman,” performed by the celebrated K-pop acts Davichi, SeeYa, and T-ARA, has long been regarded as a feminist anthem in South Korea. Its bold lyrics — which include lines such as “Girls, don’t die. Shout it out boldly / Men, get out of the way” — encourage women to embrace independence and challenge societal expectations. For fans accustomed to V’s smooth vocals and charming demeanor, seeing him enthusiastically belt out such defiant lines was both unexpected and delightfully entertaining.

Soon after the vlog went public, discussions began circulating across online forums and social media platforms, labeling V as a “misandrist.” While the term technically refers to a person who harbors prejudice against men, in this context it was used mostly in jest by fans amused by V’s passionate delivery of the song. The reactions, however, were far from uniform. Female netizens in South Korea celebrated the moment, praising V for embracing a feminist message with such gusto. Meanwhile, some observers pointed out the irony of a male K-pop idol, often perceived as embodying the traditional ideals of masculinity, openly championing a song that playfully “rebukes men.”

“Looks like V came back from the military as an even bigger misandrist,” one online post read, reflecting the playful tone that many took when discussing the incident. Another fan chimed in, “I know that song was originally V’s driving anthem, but it’s even funnier hearing him sing it after going to the military and becoming a man-hater.” A third comment summed up the sentiment perfectly: “Seriously, ever since he got back from the military, he’s become so anti-men. It’s ridiculously obvious, and that’s what makes it so funny.”

The cultural context adds another layer to the reaction. South Korea, despite its global influence in pop culture, maintains a complex relationship with feminism. Public displays of support for feminist ideals by male celebrities often provoke strong responses, and in V’s case, it appears that the internet was caught off guard. While some conservative commenters seemed scandalized by the clip, others embraced the lighter, humorous side, highlighting V’s charisma and authenticity as a performer.

International fans were equally entertained, with the video quickly circulating beyond Korean social media. Tweets and fan posts celebrated V’s unapologetic enjoyment of the song, dubbing him with playful titles such as “girl’s girl,” “alpha male V,” and attributing to him what they described as “big dick energy” for confidently embracing a feminist anthem. One fan wrote, “Taehyung going viral and praised all over K-side for passionately singing a women empowerment song word for word, especially after coming back from the military. Oh, Feministhyung, we love you #proudmisandrist.” The mixture of admiration and amusement captured the global fascination with V’s personality, blurring the lines between fandom and cultural commentary.

V’s military service, mandatory for all able-bodied South Korean men, has been a pivotal moment in the lives of many idols. Fans often watch for changes in demeanor, style, and persona upon their return. For V, the transition seemed to have inspired not only personal growth but also a refreshing willingness to defy traditional expectations of masculinity. Singing a song that celebrates women’s empowerment while cruising through the streets is a small act, yet it resonated widely, demonstrating that even minor gestures from celebrities can ignite major discussions about gender, culture, and identity.

The reaction online also underscores the unpredictable nature of celebrity influence in the digital age. A short clip in a personal vlog, intended perhaps as a casual glimpse into a day in the life, has become a viral talking point, bridging Korean and international audiences in a shared experience. Fans dissect every nuance, from the emotion in V’s voice to his expressive gestures behind the wheel, turning a simple act into a broader commentary on cultural attitudes toward gender and celebrity persona.

As the video continues to circulate, it seems clear that V’s charm lies not only in his musical talent but in his authenticity. Whether singing tender ballads, performing energetic choreographies, or laughing along to a song that playfully admonishes men, V continues to captivate audiences worldwide. And while the term “misandrist” may be used lightly in this case, it is evident that his fans are celebrating his individuality and his willingness to embrace messages that challenge societal norms.

In an era where celebrities are scrutinized constantly, moments like these remind fans why V remains a compelling figure. His decision to sing along to “Wonder Woman” may have ruffled a few feathers, but it also sparked laughter, admiration, and a viral cultural conversation — all of which seem to suit him perfectly.