The Devil Wears Prada 2 has captivated audiences not only with its returning stars but also with its stunning wardrobe that pays homage to the original while reflecting character growth and contemporary fashion trends. Costume designer Molly Rogers faced the challenge of dressing Meryl Streep’s Miranda Priestly, Anne Hathaway’s Andy Sachs, and Emily Blunt’s Emily Charlton in ways that felt authentic to their evolved roles in 2026. From the return of the iconic cerulean sweater to bold new looks, Rogers crafted outfits that advanced the story and delighted fashion enthusiasts worldwide.
One of Rogers’ first priorities was reintroducing the cerulean blue sweater that became a cultural touchstone in the original film. After the famous monologue explaining its significance in the fashion industry, the sweater took on a life of its own. For the sequel, Rogers tracked down the original from the archives—complete with its corn chowder stain—and created a new version to dupe it. She gave it raw, unraveled edges for a Margiela-inspired feel, and in one fitting, Hathaway took scissors to transform it into a sweater vest. The piece holds emotional weight for Andy, symbolizing her journey, and Rogers found the perfect narrative moment to feature it.
Miranda Priestly’s grand entrance demanded something unforgettable. Rogers turned to Balenciaga for a striking red silk taffeta ballgown that framed Streep’s white hair like a picture. The designer and actress immediately agreed that “the devil comes back in red.” A matching red heel completed the look. Early ideas of adding a hat were abandoned, as Rogers felt it would distract from the gown’s impact. The ensemble perfectly captured Miranda’s enduring power and sophistication in the face of industry challenges.
Another standout for Miranda was a tasseled jacket by Dries Van Noten. Rogers had been drawn to it from a runway show but initially struggled to find its place. The solution came in a scene where Miranda visits the cafeteria—a space she rarely enters—to meet with bankers and accountants discussing Runway’s future. Amid a sea of tailored suits, the tasseled jacket made a bold statement: “This is an editrix.” It also served as a subtle callback to the ornate cropped Bill Blass jacket with dangling coins she wore during the cerulean monologue in the first film, creating a meaningful connection between the two movies.
Emily Charlton’s evolution into a confident “girl boss” at Dior was reflected in her sophisticated yet powerful wardrobe. Rogers sourced one key blouse from a secondhand store and attempted to wear it backwards to showcase the Dior branding during a hallway scene, though the idea ultimately didn’t work. Emily’s final look, after moving to Coach, embraced a punk edge with a skinny leather or chain mail tie, fitting her edgier personality.
Andy Sachs, now an award-winning reporter, adopted a more practical yet stylish aesthetic. Rogers incorporated feminine menswear, including a Giorgio Armani vintage jacket that hung like a boyfriend blazer. A beaten-up Coach messenger bag became a signature accessory, reflecting her journalistic life. The costume designer also paid homage to Giorgio Armani, who passed away last September, by dressing both Andy and Miranda in Armani Privé during a Milan scene. Crystalized suspenders and coordinated looks honored the designer’s legacy.
Rogers observed that ties and scarves offered subtle clues to character development. She found it “pitiful” that only men typically wear ties and incorporated them creatively for the women. In one scene with Hathaway, a loosened tie felt too self-conscious and was removed, showing the careful consideration given to every detail.
The sequel’s fashion successfully balances nostalgia with modernity. Rogers worked closely with Streep, Hathaway, and Blunt to ensure each outfit served the characters’ arcs. The return of the cerulean sweater, Miranda’s commanding red gown, and Emily’s powerful ensembles have all contributed to the film’s visual impact. As audiences flock to theaters, the costumes continue the tradition of making The Devil Wears Prada a fashion event as much as a cinematic one.
The attention to detail in The Devil Wears Prada 2 demonstrates how costume design can elevate storytelling. Rogers’ choices honor the original while allowing the characters to evolve naturally. Whether it’s the symbolic cerulean sweater or Miranda’s unforgettable red entrance, the wardrobe remains one of the sequel’s greatest strengths, delighting longtime fans and new viewers alike.
